The Small Room Method — production masterclass
Make a record that sounds like you, in the room you already have
Filmed across the eleven months Distance in Static was made. Not theory, not presets — a camera pointed at every decision, from the first patch to the mastering pass that got it loud without killing it.
$149one payment · lifetime access · every future update
- Modules
- 6
- Lessons
- 31
- Footage
- 9h+
- Project files
- 8
What you'll walk away with
A finished track, not a folder of loops
The whole class is built around completing one piece end-to-end. You follow the same arc the album did — sketch, commit, arrange, finish.
A workflow that survives cheap gear
Everything is taught on a small hardware setup and stock plugins. The method is the instrument — the gear list is almost embarrassing.
Ears for the mix, not just the manual
Every mixing module is a before/after off the actual LP stems, so you hear why each move was made — and when to break it.
The confidence to print it
One-take commitment is the whole philosophy. You'll learn to bounce, commit and move on — the habit that actually finishes records.
The curriculum
Six modules in the order the record was made. Watch in sequence or raid the module you're stuck in.
Treating a spare bedroom on a nothing budget, monitoring you can trust, and the 12-square-metre layout that made the whole record. Ends with the exact signal chain, mapped.
Patching from silence, sampling household junk, and the no-undo rule — how committing to a take forces better decisions than any plugin chain.
Building arrangements from performance instead of copy-paste. The Night Bus voice-memo workflow, and turning a 20-minute jam into a 4-minute track.
Mixing on the same faders the track was played on. Real before/afters from the LP stems: the drum bus, the low end in a small room, hiss as glue.
Mastering for club systems and phone speakers at once — limiting, tonal balance, and the loudness targets that actually matter in 2026.
Sequencing a record, test pressings, metadata, and the honest economics of self-releasing — real numbers from Distance in Static's rollout.
Shot in the room, while it happened
No studio-tour gloss. The footage is the actual sessions — mistakes, retakes and the 2am fix that saved Signal Bleed.
From people who finished something
I've bought every big-name production course. This is the first one that ended with me holding a finished EP instead of a to-do list.
Dana K.
Finished a 5-track EP in module 4
The no-undo rule felt like a gimmick until week two. It rewired how I work — I commit now, and my drafts folder finally stopped growing.
Jonah P.
Bedroom producer, 3 years in
Watching him mix the actual album stems is worth the price alone. You hear the room change. Nobody shows you that part.
Ale R.
Mixes for a local label now
Everything in the enrollment
One price, no tiers, no upsell ladder. If it's part of the method, it's in the box.
- All 6 modules — 31 lessons, 9+ hours
- 8 full project files from the LP
- The stem library — drums, synths, field recordings
- Every future update, free
- Circle listening-room access, 3 months
Watch module one. If it isn't for you, reply to the receipt within 14 days and it's refunded — no form, no call.
Enrollment
$149one payment · lifetime access
Demo mode
Demo checkout — connect your payment products in Settings, under Order Form, then switch this off.
Asked every launch
No. Two modules use the modular for demonstration, but every technique has a software mirror shown side-by-side. Most students finish the class entirely in the box.
The method is DAW-agnostic — arrangement and mixing are shown in two different DAWs on purpose, so you learn the move, not the menu.
Forever, including every future update. The class was re-cut twice since launch and everyone got the new version free.
It assumes you can get sound out of a DAW. If you've made loops but never finished a track, you're exactly who it was made for.
Fourteen-day refund, no questions. Watch module one and decide.